614 Royalty-Free Audio Tracks for "Joseph Boulogne De Saint George"

Title/Work: Messiah (Handel) Content: No.04: Chorus: And the Glory of the Lord Genre(s): Oratorio Author(s)/(Composer(s): George Frideric Handel (1685-1759) Music arranger(s): none Lyricist(s): Charles Jennens (1700-1773) Performer(s): Royal Liverpool Philharmonic (Conductor: Malcolm Sargent (1895-1967)) Conductor: Malcolm Sargent Place of recording: Liverpool Philharmonic Hall, Hope Street, Liverpool, Merseyside (United Kingdom) 1st release date: 1947 1st recording date: 12 July 1946

Title/Work: Messiah (Handel) Content: No.07: Chorus: And He Shall Purify Genre(s): Oratorio Author(s)/(Composer(s): George Frideric Handel (1685-1759) Music arranger(s): none Lyricist(s): Charles Jennens (1700-1773) Performer(s): Royal Liverpool Philharmonic (Conductor: Malcolm Sargent (1895-1967)) Conductor: Malcolm Sargent Place of recording: Liverpool Philharmonic Hall, Hope Street, Liverpool, Merseyside (United Kingdom) 1st release date: 1947 1st recording date: 14 July 1946

Symphony No. 3 in C Minor, Op. 78, "Organ": II. Maestoso performed by the Stellar Brass of the United States Air Force Academy Band. Track 1 from Fireworks for Brass and Organ (2007).

Al Jolson's recording of George Gershwin's "Swanee". Composed in 1919, Al Jolson recorded for Columbia Records in January 1920, and it became a runaway hit

Colonel Bogey March, performed by the United States Navy Band.

The closing bars of String Quartet in E flat, Op. 33 by Haydn

Au clair de la lune à 4 voix

Le Régiment de Sambre et Meuse

Cello Concerto No. 1 in A minor, op. 33 - 3rd movement (tempo primo)

Recording is an instrumental version of Das Lied der Deutschen by Haydn, performed by the US Navy Band. Lyrics are of Stand, Columbia, the alma mater of Columbia University.

Jean-Philippe Rameau: "Tambourin". 1724, from Pièces de clavecin avec une méthode pour la mécanique des doigts

Nederlands: O kerstnacht, schoner dan de dagen

Le régiment de Sambre et Meuse (circa 1870), sung by Pierre d'Assy (1872 — 1911) Lyrics: fr:Régiment_de_Sambre-et-Meuse

Enfin la Beauté by Etienne Moulinié, an "air de cour", performed live by myself: Enfin la beauté que j'adore Me fait cognoistre en son retour Qu'elle veut que je voye encore Ces yeux pour qui je meurs d'amour Mais puis que je revoy la beauté qui m'enflame, Sortez mes desplaisirs hostez vous de mon ame. Le ciel voyant que son absence M'oste tout mon contentement, Octroye à ma perseverance La fin de mon cruel tourment: Mais puis que je revoy la beauté qui m'enflame, Sortez mes desplaisirs hostez vous de mon ame. Mes maux changés vous en delices, Mon coeur arrestés vos douleurs, Amour bannissez mes supplices, Mes yeux ne versez plus de pleurs: Mais puis que je revoy la beauté qui m'enflame, Sortez mes desplaisirs hostez vous de mon ame.

Air de Cour "Je suis ravi de mon Uranie" von Étienne MouliniéJe suis ravi de mon Uranie, Toute beauté pres d'elle est ternie:Jamais l'amour dedans ces boisN'en a fait voir, n'y regner de pareille,C'est une merveille,Sa seule voixPeut dompter, et sousmettre les plus grands Roys.

Vois ma misère, hélas! from Camille Saint-Saëns' opera Samson et Dalila (1877), sung by Enrico Caruso on 7 December 1916 in New York City for Victor Records. This is Matrix C-18821, which released under a variety of labels.(Full details)

Cello concerto no. 1 in a minor, op. 33 - i. allegro non troppo

Mozart; Concerto No. 25 in C - II. Andante

Concerto No. 20 in D Minor - II. Romanza

Mozart; Concerto No. 25 in C- I. Allegro maestoso

Concerto No. 20 in D Minor- III. Rondo - Allegro assai

The national anthem of Saint Lucia performed by the USN Band.

Kanon Gottes Wort ist wie Licht in der Nacht; Gotteslob (2013) 450

Triadic planing from Le Tombeau de Couperin by Maurice Ravel.

Songː La Cumparsita. Authorː Gerardo Matos Rodriguez (1897 - 1948), Uruguay. Interpreterː Julio de Caro Orquestra, 1932. Temaː La Cumparsita. Autorː Gerardo Matos Rodriguez (1897 - 1948), Uruguay. Interpreteː Julio de Caro Orquesta, 1932.

Mozart; Concerto No. 25 in C- III. allegretto

Mozart; Concerto No. 18 in G-Flat- II. Andante un poco sostenuto

Exposition Haydn's Sonata in G Major, Hob. XVI: G1, I, mm. 1-28.

Joseph Haydn: Ein einzig böses Weib, Kanon auf einen Text von Lessing

Gott, aller Schöpfung heilger Herr; Gotteslob (2013) 539

Mein ganzes Herz erhebet dich, Gotteslob (2013) 143 (im GL 1975 mit leicht abweichender Rhythmisierung) Hoch sei gepriesen unser Gott, Gotteslob (2013) 384

Deutsches Kirchenlied Nun saget Dank und lobt den Herren (Gotteslob (2013) 385); Nun singt ein neues Lied dem Herren (Gotteslob (2013) 551)

Wie herrlich gibst du, Herr, dich zu erkennen (Evang. Gesangbuch 271); Gott rufet noch (Evang. Gesangbuch 392)

Was uns die Erde Gutes spendet, Gotteslob (2013) 186

Auprès de ma blonde

Mit Freuden zart zu dieser Fahrt, Evang. Gesangbuch 108

Himno Nacional Mexicano en maya en voz de la X-ka'ansaj Maaya T'aan Graciela Barredo Xool

Himno Nacional Mexicano en 1974 - Banda de Artillería de la SEDENA; 8 stanzas.

Mozart; Concerto No. 12 in A - II. Andante

Concerto No. 20 in D Minor - I. Allegro

Introduction and Rondo capriccioso (A minor), op. 28. Camille Saint-Saens - Introduction and Rondo capriccioso (A minor), op. 28 (performed by Skidmore College Orchestra) Македонски: Камиј Сен-Санс — „Вовед и Рондо и капричозо“ (а-мол), оп. 28 (Оркестар на Скидморскиот колеџ) Introdukcja i rondo capriccioso a-moll na skrzypce i orkiestrę, Op. 28 autorstwa Camille Saint-Saëns w wykonaniu Skidmore College Orchestra.

Development Haydn's Sonata in G Major, Hob. XVI: G1, I, mm. 29-53.

Sound file in ".ogg" format of "Vjutro rano", a Croatian folk song thought to be a model used by en:Joseph Haydn in composing en:Gott erhalte Franz den Kaiser. Song is taken from the book Haydn: A Croatian Composer by William Hadow (1897); the copyright on this work is expired. Digital recording of Opus33 playing this tune on a piano. This material is released into the public domain.

Wer hat dich, du schöner Wald

1st release date: between 1928 1st recording date: 13 July 1928 Place of recording: C Studio, Small Queen’s Hall, London (United Kingdom) Author(s)/Composer(s): Joseph Haydn (1732-1809) Lyricist(s): none Conductor: John Barbirolli (1899-1970) Performer(s): Guilhermina Suggia, Cellist (1885-1950) Vocal range: instrumental Title/Work: Cello concerto in D major Content: 3rd Movement (2nd Record) Allegro (Part 6) Genre(s): Cello concerto

Hugo de Lantins: Jo sum tuo servo.

Jacob Senleches: Ballade Fuions de ci.

Danse macabre by Saint-Saëns performed by the Philadelphia Symphony Orchestra under Leopold Stokowski. "Record date is 4/29/1925, with master numbers CVE-27929 and CVE-27930. Also, the subtle "VE" stamp reveals this to be an early electrical recording. It doesn't have quite the brilliance of the 1927 and -28 Victor productions, but still captures the violins nicely. Victor 6505-A and B, concatenated from the original 2 sides."

Camille Saint-Saëns - Danse macabre (Orchestre de l'Association des Concerts Colonne, dir. Louis Fourestier, 17-18 février 1953)

Victor record n°17020-A, sung by Arthur Collins and Byron Harlan.